Large Butterfly On Branch Sculpture

Introducing Large Butterflies on Branches—a vibrant new addition to Roger DiTarando’s evolving series of bronze motifs mounted on expressive, hand-forged copper forms. Each sculpture is individually handcrafted using the traditional lost wax casting process, pairing richly detailed bronze butterflies with gracefully flowing copper branches to capture a luminous moment from nature.

This composition features two large bronze butterflies poised along a sculptural copper branch, their wings opened in a gentle, suspended rhythm. The butterflies measure approximately ___ inches across, while the branch form extends roughly ___ inches in length. Carefully arranged to suggest lightness and movement, the piece evokes the quiet drama of butterflies settling after flight—delicate yet enduring.

Designed for versatility, Large Butterflies on Branches transitions effortlessly between outdoor and interior settings. It can be nestled into a garden bed, mounted along a fence line, or positioned near a pond—where natural light enhances the patina and texture. Indoors, it becomes a sculptural accent on a mantel, entry console, or dining table, offering a refined blend of color, motion, and craftsmanship.

Durable and maintenance-free, this sculpture celebrates the interplay of form, balance, and surface bringing a sense of vitality and natural elegance wherever it is displayed.

--------Sculpture & Birdbath Disclaimer – Roger DiTarando--------

I specialize in three primary forms of work, all rooted in fine art: original sculptures, replicated pieces, and birdbaths. My creations are a harmonious blend of hand-wrought metalwork and hand-sculpted clay maquettes—small-scale models that serve as preliminary versions of the final sculptures. These maquettes are transformed into bronze through the traditional lost-wax casting process. This combination allows me to explore a rich tapestry of textures and forms, resulting in expressive, one-of-a-kind pieces that reflect the beauty of hand-forged craftsmanship.
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On the Nature of My Work

My sculptures and birdbaths are intentionally textural and expressive—nothing is flat, square, or machine-perfect. This is not factory work. Each piece is an organic composition of forged and assembled elements, guided by the metal itself. Some parts may be longer, thicker, thinner, or more curved than others. The result is a dynamic, layered balance—what I call perfect chaos, perfect imperfections.
These natural variations are part of the aesthetic and are essential to the individuality of each piece. If you’re looking for polished, uniform, factory-made décor, my work may not be the right fit. But if you value hand-wrought sculpture, authentic patina finishes, and the unpredictable beauty of natural forms, I invite you to explore further.
If you have hesitations about any of these characteristics, I kindly suggest holding off. I don’t want to sell you something—I want you to want it. That makes all the difference.
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Patina Information

Patina: “A surface appearance of something grown beautiful especially with age or use.”
Most of my sculptures and birdbaths feature patinas that are applied chemically, not left to develop naturally over decades. I use traditional techniques to create rich colors—blues, greens, purples, yellows, and more—that mimic the organic aging of copper, bronze, and brass. These effects are part of what makes each piece a living work of art, suitable for both outdoor environments and interior spaces.
What to Expect:
• Patinas will vary from piece to piece in tone, texture, and intensity.
• A newly applied patina evolves as it reacts to light, moisture, and temperature—this transition can take weeks to months.
• Flaking, spotting, drip marks, and areas of white powder (from welding flux) are all natural parts of the process.
• Think of these colorations as similar to moss or lichen—layered, unpredictable, and beautiful.
If you'd like to preserve the color more permanently, I suggest applying Rust-Oleum Clear Satin spray once or twice per year (spring and fall). However, no maintenance is required—my birdbaths and sculptures are crafted to endure all seasons.
Upon arrival, you may wish to clean the birdbath with a sponge and dish soap to remove any loose residue from the recent patina application.
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Safety & Handling

Texture is central to the aesthetic of my sculptures and birdbaths. Every surface is hammered, shaped, or forged, creating beautiful irregularities that invite closer inspection. Some edges may be sharp. While I make every effort to smooth out unintended flaws, the nature of hand-forged metal means that certain elements may have defined or pointed edges. Please use care when handling, installing, or moving the piece.
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Final Notes

All sales are final. Due to the handmade nature and custom character of each piece, I do not accept returns.
If you have any questions before purchasing, please feel free to reach out: Cell: 860.614.2704
Thank you for supporting handmade fine art sculpture.
— Roger DiTarando