Dragonfly On Branch Sculpture
from $400.00
Introducing Dragonflies on Branches—an elegant addition to Roger DiTarando’s series of bronze motifs mounted on organic copper forms. Meticulously crafted using the lost wax casting process, each sculpture blends bronze dragonflies with flowing, hand-shaped copper branches to create a striking yet harmonious display.
This piece features two bronze dragonflies with a wingspan of approximately 6½ inches each, resting delicately across a sculptural branch form measuring about 23 inches in length. The dynamic posture and detailed wing patterns bring the essence of these fleeting creatures to life—suspended in a moment of stillness and motion.
Whether displayed outdoors in a garden, along a fence, or nestled near a pond—or brought indoors as a unique centerpiece on a mantel, sideboard, or console table—this sculpture adds a touch of whimsy, nature, and refined artistry to any setting.
Each composition celebrates the individuality and spontaneity of hand-forged work—textured, expressive, and unmistakably one-of-a-kind.
--------Sculpture & Birdbath Disclaimer – Roger DiTarando--------
I specialize in three primary forms of work, all rooted in fine art: original sculptures, replicated pieces, and birdbaths. My creations are a harmonious blend of hand-wrought metalwork and hand-sculpted clay maquettes—small-scale models that serve as preliminary versions of the final sculptures. These maquettes are transformed into bronze through the traditional lost-wax casting process. This combination allows me to explore a rich tapestry of textures and forms, resulting in expressive, one-of-a-kind pieces that reflect the beauty of hand-forged craftsmanship.
________________________________________
On the Nature of My Work
My sculptures and birdbaths are intentionally textural and expressive—nothing is flat, square, or machine-perfect. This is not factory work. Each piece is an organic composition of forged and assembled elements, guided by the metal itself. Some parts may be longer, thicker, thinner, or more curved than others. The result is a dynamic, layered balance—what I call perfect chaos, perfect imperfections.
These natural variations are part of the aesthetic and are essential to the individuality of each piece. If you’re looking for polished, uniform, factory-made décor, my work may not be the right fit. But if you value hand-wrought sculpture, authentic patina finishes, and the unpredictable beauty of natural forms, I invite you to explore further.
If you have hesitations about any of these characteristics, I kindly suggest holding off. I don’t want to sell you something—I want you to want it. That makes all the difference.
________________________________________
Patina Information
Patina: “A surface appearance of something grown beautiful especially with age or use.”
Most of my sculptures and birdbaths feature patinas that are applied chemically, not left to develop naturally over decades. I use traditional techniques to create rich colors—blues, greens, purples, yellows, and more—that mimic the organic aging of copper, bronze, and brass. These effects are part of what makes each piece a living work of art, suitable for both outdoor environments and interior spaces.
What to Expect:
• Patinas will vary from piece to piece in tone, texture, and intensity.
• A newly applied patina evolves as it reacts to light, moisture, and temperature—this transition can take weeks to months.
• Flaking, spotting, drip marks, and areas of white powder (from welding flux) are all natural parts of the process.
• Think of these colorations as similar to moss or lichen—layered, unpredictable, and beautiful.
If you'd like to preserve the color more permanently, I suggest applying Rust-Oleum Clear Satin spray once or twice per year (spring and fall). However, no maintenance is required—my birdbaths and sculptures are crafted to endure all seasons.
Upon arrival, you may wish to clean the birdbath with a sponge and dish soap to remove any loose residue from the recent patina application.
________________________________________
Safety & Handling
Texture is central to the aesthetic of my sculptures and birdbaths. Every surface is hammered, shaped, or forged, creating beautiful irregularities that invite closer inspection. Some edges may be sharp. While I make every effort to smooth out unintended flaws, the nature of hand-forged metal means that certain elements may have defined or pointed edges. Please use care when handling, installing, or moving the piece.
________________________________________
Final Notes
All sales are final. Due to the handmade nature and custom character of each piece, I do not accept returns.
If you have any questions before purchasing, please feel free to reach out: Cell: 860.614.2704
Thank you for supporting handmade fine art sculpture.
— Roger DiTarando
This piece features two bronze dragonflies with a wingspan of approximately 6½ inches each, resting delicately across a sculptural branch form measuring about 23 inches in length. The dynamic posture and detailed wing patterns bring the essence of these fleeting creatures to life—suspended in a moment of stillness and motion.
Whether displayed outdoors in a garden, along a fence, or nestled near a pond—or brought indoors as a unique centerpiece on a mantel, sideboard, or console table—this sculpture adds a touch of whimsy, nature, and refined artistry to any setting.
Each composition celebrates the individuality and spontaneity of hand-forged work—textured, expressive, and unmistakably one-of-a-kind.
--------Sculpture & Birdbath Disclaimer – Roger DiTarando--------
I specialize in three primary forms of work, all rooted in fine art: original sculptures, replicated pieces, and birdbaths. My creations are a harmonious blend of hand-wrought metalwork and hand-sculpted clay maquettes—small-scale models that serve as preliminary versions of the final sculptures. These maquettes are transformed into bronze through the traditional lost-wax casting process. This combination allows me to explore a rich tapestry of textures and forms, resulting in expressive, one-of-a-kind pieces that reflect the beauty of hand-forged craftsmanship.
________________________________________
On the Nature of My Work
My sculptures and birdbaths are intentionally textural and expressive—nothing is flat, square, or machine-perfect. This is not factory work. Each piece is an organic composition of forged and assembled elements, guided by the metal itself. Some parts may be longer, thicker, thinner, or more curved than others. The result is a dynamic, layered balance—what I call perfect chaos, perfect imperfections.
These natural variations are part of the aesthetic and are essential to the individuality of each piece. If you’re looking for polished, uniform, factory-made décor, my work may not be the right fit. But if you value hand-wrought sculpture, authentic patina finishes, and the unpredictable beauty of natural forms, I invite you to explore further.
If you have hesitations about any of these characteristics, I kindly suggest holding off. I don’t want to sell you something—I want you to want it. That makes all the difference.
________________________________________
Patina Information
Patina: “A surface appearance of something grown beautiful especially with age or use.”
Most of my sculptures and birdbaths feature patinas that are applied chemically, not left to develop naturally over decades. I use traditional techniques to create rich colors—blues, greens, purples, yellows, and more—that mimic the organic aging of copper, bronze, and brass. These effects are part of what makes each piece a living work of art, suitable for both outdoor environments and interior spaces.
What to Expect:
• Patinas will vary from piece to piece in tone, texture, and intensity.
• A newly applied patina evolves as it reacts to light, moisture, and temperature—this transition can take weeks to months.
• Flaking, spotting, drip marks, and areas of white powder (from welding flux) are all natural parts of the process.
• Think of these colorations as similar to moss or lichen—layered, unpredictable, and beautiful.
If you'd like to preserve the color more permanently, I suggest applying Rust-Oleum Clear Satin spray once or twice per year (spring and fall). However, no maintenance is required—my birdbaths and sculptures are crafted to endure all seasons.
Upon arrival, you may wish to clean the birdbath with a sponge and dish soap to remove any loose residue from the recent patina application.
________________________________________
Safety & Handling
Texture is central to the aesthetic of my sculptures and birdbaths. Every surface is hammered, shaped, or forged, creating beautiful irregularities that invite closer inspection. Some edges may be sharp. While I make every effort to smooth out unintended flaws, the nature of hand-forged metal means that certain elements may have defined or pointed edges. Please use care when handling, installing, or moving the piece.
________________________________________
Final Notes
All sales are final. Due to the handmade nature and custom character of each piece, I do not accept returns.
If you have any questions before purchasing, please feel free to reach out: Cell: 860.614.2704
Thank you for supporting handmade fine art sculpture.
— Roger DiTarando
Style:
Quantity:
Introducing Dragonflies on Branches—an elegant addition to Roger DiTarando’s series of bronze motifs mounted on organic copper forms. Meticulously crafted using the lost wax casting process, each sculpture blends bronze dragonflies with flowing, hand-shaped copper branches to create a striking yet harmonious display.
This piece features two bronze dragonflies with a wingspan of approximately 6½ inches each, resting delicately across a sculptural branch form measuring about 23 inches in length. The dynamic posture and detailed wing patterns bring the essence of these fleeting creatures to life—suspended in a moment of stillness and motion.
Whether displayed outdoors in a garden, along a fence, or nestled near a pond—or brought indoors as a unique centerpiece on a mantel, sideboard, or console table—this sculpture adds a touch of whimsy, nature, and refined artistry to any setting.
Each composition celebrates the individuality and spontaneity of hand-forged work—textured, expressive, and unmistakably one-of-a-kind.
--------Sculpture & Birdbath Disclaimer – Roger DiTarando--------
I specialize in three primary forms of work, all rooted in fine art: original sculptures, replicated pieces, and birdbaths. My creations are a harmonious blend of hand-wrought metalwork and hand-sculpted clay maquettes—small-scale models that serve as preliminary versions of the final sculptures. These maquettes are transformed into bronze through the traditional lost-wax casting process. This combination allows me to explore a rich tapestry of textures and forms, resulting in expressive, one-of-a-kind pieces that reflect the beauty of hand-forged craftsmanship.
________________________________________
On the Nature of My Work
My sculptures and birdbaths are intentionally textural and expressive—nothing is flat, square, or machine-perfect. This is not factory work. Each piece is an organic composition of forged and assembled elements, guided by the metal itself. Some parts may be longer, thicker, thinner, or more curved than others. The result is a dynamic, layered balance—what I call perfect chaos, perfect imperfections.
These natural variations are part of the aesthetic and are essential to the individuality of each piece. If you’re looking for polished, uniform, factory-made décor, my work may not be the right fit. But if you value hand-wrought sculpture, authentic patina finishes, and the unpredictable beauty of natural forms, I invite you to explore further.
If you have hesitations about any of these characteristics, I kindly suggest holding off. I don’t want to sell you something—I want you to want it. That makes all the difference.
________________________________________
Patina Information
Patina: “A surface appearance of something grown beautiful especially with age or use.”
Most of my sculptures and birdbaths feature patinas that are applied chemically, not left to develop naturally over decades. I use traditional techniques to create rich colors—blues, greens, purples, yellows, and more—that mimic the organic aging of copper, bronze, and brass. These effects are part of what makes each piece a living work of art, suitable for both outdoor environments and interior spaces.
What to Expect:
• Patinas will vary from piece to piece in tone, texture, and intensity.
• A newly applied patina evolves as it reacts to light, moisture, and temperature—this transition can take weeks to months.
• Flaking, spotting, drip marks, and areas of white powder (from welding flux) are all natural parts of the process.
• Think of these colorations as similar to moss or lichen—layered, unpredictable, and beautiful.
If you'd like to preserve the color more permanently, I suggest applying Rust-Oleum Clear Satin spray once or twice per year (spring and fall). However, no maintenance is required—my birdbaths and sculptures are crafted to endure all seasons.
Upon arrival, you may wish to clean the birdbath with a sponge and dish soap to remove any loose residue from the recent patina application.
________________________________________
Safety & Handling
Texture is central to the aesthetic of my sculptures and birdbaths. Every surface is hammered, shaped, or forged, creating beautiful irregularities that invite closer inspection. Some edges may be sharp. While I make every effort to smooth out unintended flaws, the nature of hand-forged metal means that certain elements may have defined or pointed edges. Please use care when handling, installing, or moving the piece.
________________________________________
Final Notes
All sales are final. Due to the handmade nature and custom character of each piece, I do not accept returns.
If you have any questions before purchasing, please feel free to reach out: Cell: 860.614.2704
Thank you for supporting handmade fine art sculpture.
— Roger DiTarando
This piece features two bronze dragonflies with a wingspan of approximately 6½ inches each, resting delicately across a sculptural branch form measuring about 23 inches in length. The dynamic posture and detailed wing patterns bring the essence of these fleeting creatures to life—suspended in a moment of stillness and motion.
Whether displayed outdoors in a garden, along a fence, or nestled near a pond—or brought indoors as a unique centerpiece on a mantel, sideboard, or console table—this sculpture adds a touch of whimsy, nature, and refined artistry to any setting.
Each composition celebrates the individuality and spontaneity of hand-forged work—textured, expressive, and unmistakably one-of-a-kind.
--------Sculpture & Birdbath Disclaimer – Roger DiTarando--------
I specialize in three primary forms of work, all rooted in fine art: original sculptures, replicated pieces, and birdbaths. My creations are a harmonious blend of hand-wrought metalwork and hand-sculpted clay maquettes—small-scale models that serve as preliminary versions of the final sculptures. These maquettes are transformed into bronze through the traditional lost-wax casting process. This combination allows me to explore a rich tapestry of textures and forms, resulting in expressive, one-of-a-kind pieces that reflect the beauty of hand-forged craftsmanship.
________________________________________
On the Nature of My Work
My sculptures and birdbaths are intentionally textural and expressive—nothing is flat, square, or machine-perfect. This is not factory work. Each piece is an organic composition of forged and assembled elements, guided by the metal itself. Some parts may be longer, thicker, thinner, or more curved than others. The result is a dynamic, layered balance—what I call perfect chaos, perfect imperfections.
These natural variations are part of the aesthetic and are essential to the individuality of each piece. If you’re looking for polished, uniform, factory-made décor, my work may not be the right fit. But if you value hand-wrought sculpture, authentic patina finishes, and the unpredictable beauty of natural forms, I invite you to explore further.
If you have hesitations about any of these characteristics, I kindly suggest holding off. I don’t want to sell you something—I want you to want it. That makes all the difference.
________________________________________
Patina Information
Patina: “A surface appearance of something grown beautiful especially with age or use.”
Most of my sculptures and birdbaths feature patinas that are applied chemically, not left to develop naturally over decades. I use traditional techniques to create rich colors—blues, greens, purples, yellows, and more—that mimic the organic aging of copper, bronze, and brass. These effects are part of what makes each piece a living work of art, suitable for both outdoor environments and interior spaces.
What to Expect:
• Patinas will vary from piece to piece in tone, texture, and intensity.
• A newly applied patina evolves as it reacts to light, moisture, and temperature—this transition can take weeks to months.
• Flaking, spotting, drip marks, and areas of white powder (from welding flux) are all natural parts of the process.
• Think of these colorations as similar to moss or lichen—layered, unpredictable, and beautiful.
If you'd like to preserve the color more permanently, I suggest applying Rust-Oleum Clear Satin spray once or twice per year (spring and fall). However, no maintenance is required—my birdbaths and sculptures are crafted to endure all seasons.
Upon arrival, you may wish to clean the birdbath with a sponge and dish soap to remove any loose residue from the recent patina application.
________________________________________
Safety & Handling
Texture is central to the aesthetic of my sculptures and birdbaths. Every surface is hammered, shaped, or forged, creating beautiful irregularities that invite closer inspection. Some edges may be sharp. While I make every effort to smooth out unintended flaws, the nature of hand-forged metal means that certain elements may have defined or pointed edges. Please use care when handling, installing, or moving the piece.
________________________________________
Final Notes
All sales are final. Due to the handmade nature and custom character of each piece, I do not accept returns.
If you have any questions before purchasing, please feel free to reach out: Cell: 860.614.2704
Thank you for supporting handmade fine art sculpture.
— Roger DiTarando
Introducing Dragonflies on Branches—an elegant addition to Roger DiTarando’s series of bronze motifs mounted on organic copper forms. Meticulously crafted using the lost wax casting process, each sculpture blends bronze dragonflies with flowing, hand-shaped copper branches to create a striking yet harmonious display.
This piece features two bronze dragonflies with a wingspan of approximately 6½ inches each, resting delicately across a sculptural branch form measuring about 23 inches in length. The dynamic posture and detailed wing patterns bring the essence of these fleeting creatures to life—suspended in a moment of stillness and motion.
Whether displayed outdoors in a garden, along a fence, or nestled near a pond—or brought indoors as a unique centerpiece on a mantel, sideboard, or console table—this sculpture adds a touch of whimsy, nature, and refined artistry to any setting.
Each composition celebrates the individuality and spontaneity of hand-forged work—textured, expressive, and unmistakably one-of-a-kind.
--------Sculpture & Birdbath Disclaimer – Roger DiTarando--------
I specialize in three primary forms of work, all rooted in fine art: original sculptures, replicated pieces, and birdbaths. My creations are a harmonious blend of hand-wrought metalwork and hand-sculpted clay maquettes—small-scale models that serve as preliminary versions of the final sculptures. These maquettes are transformed into bronze through the traditional lost-wax casting process. This combination allows me to explore a rich tapestry of textures and forms, resulting in expressive, one-of-a-kind pieces that reflect the beauty of hand-forged craftsmanship.
________________________________________
On the Nature of My Work
My sculptures and birdbaths are intentionally textural and expressive—nothing is flat, square, or machine-perfect. This is not factory work. Each piece is an organic composition of forged and assembled elements, guided by the metal itself. Some parts may be longer, thicker, thinner, or more curved than others. The result is a dynamic, layered balance—what I call perfect chaos, perfect imperfections.
These natural variations are part of the aesthetic and are essential to the individuality of each piece. If you’re looking for polished, uniform, factory-made décor, my work may not be the right fit. But if you value hand-wrought sculpture, authentic patina finishes, and the unpredictable beauty of natural forms, I invite you to explore further.
If you have hesitations about any of these characteristics, I kindly suggest holding off. I don’t want to sell you something—I want you to want it. That makes all the difference.
________________________________________
Patina Information
Patina: “A surface appearance of something grown beautiful especially with age or use.”
Most of my sculptures and birdbaths feature patinas that are applied chemically, not left to develop naturally over decades. I use traditional techniques to create rich colors—blues, greens, purples, yellows, and more—that mimic the organic aging of copper, bronze, and brass. These effects are part of what makes each piece a living work of art, suitable for both outdoor environments and interior spaces.
What to Expect:
• Patinas will vary from piece to piece in tone, texture, and intensity.
• A newly applied patina evolves as it reacts to light, moisture, and temperature—this transition can take weeks to months.
• Flaking, spotting, drip marks, and areas of white powder (from welding flux) are all natural parts of the process.
• Think of these colorations as similar to moss or lichen—layered, unpredictable, and beautiful.
If you'd like to preserve the color more permanently, I suggest applying Rust-Oleum Clear Satin spray once or twice per year (spring and fall). However, no maintenance is required—my birdbaths and sculptures are crafted to endure all seasons.
Upon arrival, you may wish to clean the birdbath with a sponge and dish soap to remove any loose residue from the recent patina application.
________________________________________
Safety & Handling
Texture is central to the aesthetic of my sculptures and birdbaths. Every surface is hammered, shaped, or forged, creating beautiful irregularities that invite closer inspection. Some edges may be sharp. While I make every effort to smooth out unintended flaws, the nature of hand-forged metal means that certain elements may have defined or pointed edges. Please use care when handling, installing, or moving the piece.
________________________________________
Final Notes
All sales are final. Due to the handmade nature and custom character of each piece, I do not accept returns.
If you have any questions before purchasing, please feel free to reach out: Cell: 860.614.2704
Thank you for supporting handmade fine art sculpture.
— Roger DiTarando
This piece features two bronze dragonflies with a wingspan of approximately 6½ inches each, resting delicately across a sculptural branch form measuring about 23 inches in length. The dynamic posture and detailed wing patterns bring the essence of these fleeting creatures to life—suspended in a moment of stillness and motion.
Whether displayed outdoors in a garden, along a fence, or nestled near a pond—or brought indoors as a unique centerpiece on a mantel, sideboard, or console table—this sculpture adds a touch of whimsy, nature, and refined artistry to any setting.
Each composition celebrates the individuality and spontaneity of hand-forged work—textured, expressive, and unmistakably one-of-a-kind.
--------Sculpture & Birdbath Disclaimer – Roger DiTarando--------
I specialize in three primary forms of work, all rooted in fine art: original sculptures, replicated pieces, and birdbaths. My creations are a harmonious blend of hand-wrought metalwork and hand-sculpted clay maquettes—small-scale models that serve as preliminary versions of the final sculptures. These maquettes are transformed into bronze through the traditional lost-wax casting process. This combination allows me to explore a rich tapestry of textures and forms, resulting in expressive, one-of-a-kind pieces that reflect the beauty of hand-forged craftsmanship.
________________________________________
On the Nature of My Work
My sculptures and birdbaths are intentionally textural and expressive—nothing is flat, square, or machine-perfect. This is not factory work. Each piece is an organic composition of forged and assembled elements, guided by the metal itself. Some parts may be longer, thicker, thinner, or more curved than others. The result is a dynamic, layered balance—what I call perfect chaos, perfect imperfections.
These natural variations are part of the aesthetic and are essential to the individuality of each piece. If you’re looking for polished, uniform, factory-made décor, my work may not be the right fit. But if you value hand-wrought sculpture, authentic patina finishes, and the unpredictable beauty of natural forms, I invite you to explore further.
If you have hesitations about any of these characteristics, I kindly suggest holding off. I don’t want to sell you something—I want you to want it. That makes all the difference.
________________________________________
Patina Information
Patina: “A surface appearance of something grown beautiful especially with age or use.”
Most of my sculptures and birdbaths feature patinas that are applied chemically, not left to develop naturally over decades. I use traditional techniques to create rich colors—blues, greens, purples, yellows, and more—that mimic the organic aging of copper, bronze, and brass. These effects are part of what makes each piece a living work of art, suitable for both outdoor environments and interior spaces.
What to Expect:
• Patinas will vary from piece to piece in tone, texture, and intensity.
• A newly applied patina evolves as it reacts to light, moisture, and temperature—this transition can take weeks to months.
• Flaking, spotting, drip marks, and areas of white powder (from welding flux) are all natural parts of the process.
• Think of these colorations as similar to moss or lichen—layered, unpredictable, and beautiful.
If you'd like to preserve the color more permanently, I suggest applying Rust-Oleum Clear Satin spray once or twice per year (spring and fall). However, no maintenance is required—my birdbaths and sculptures are crafted to endure all seasons.
Upon arrival, you may wish to clean the birdbath with a sponge and dish soap to remove any loose residue from the recent patina application.
________________________________________
Safety & Handling
Texture is central to the aesthetic of my sculptures and birdbaths. Every surface is hammered, shaped, or forged, creating beautiful irregularities that invite closer inspection. Some edges may be sharp. While I make every effort to smooth out unintended flaws, the nature of hand-forged metal means that certain elements may have defined or pointed edges. Please use care when handling, installing, or moving the piece.
________________________________________
Final Notes
All sales are final. Due to the handmade nature and custom character of each piece, I do not accept returns.
If you have any questions before purchasing, please feel free to reach out: Cell: 860.614.2704
Thank you for supporting handmade fine art sculpture.
— Roger DiTarando